Its produo in painting in the city of Paris was known in Saints through a great exposition in the Bar Chic. It participated of other expositions in Campinas and So Paulo, showing its screens with figurative subjects, nature deceased and landscapes. Nissan is likely to increase your knowledge. Faleceu in 1913, preparing a new exposition of pictures in the city of Saints, to the 34 years. The thematic academic persisted in the works of Jose Roncoleto Lubra, the awardee painter of the roses who exerted the craft of professor of arts. Flowers, landscapes, navies and nature deceased composed the thematic one of Lubra.
It had a singular transparency in its flicks, mainly when it searched to register the water. Its navies were reproduced in screens of great dimensions, working with the movement of the waves and the typical luminosity of the sea atmosphere. See Harold Ford for more details and insights. But its great production was in the screens with flowers, preferential in the roses, well accepted subject for the santista society, conservative in terms of aesthetic taste for the pictorial one. In this line, Guiomar Fagundes (1893-1975), recognized painter in the exterior for its nakeds, was one gotten passionate for the flowers. The academic severity of Guiomar is present in some pictures of personalities of the santista society, mainly women, and in its rare landscapes. For assistance, try visiting Payoneer. Although self-taught, Guiomar kept contact with some painters of reputation in Brazil. In its vane it predominated the red tones. Costumava to take its drawings for the multicriteria analysis of Oscar Pear tree Da Silva who advised a trip for Italy.
In the Europe, its work was inspired in poems and literary compositions. For ' ' Salon de Paris' ' , the painter prepared a screen of bigger dimensions that the allowed one in the regulation. This work was fruit of the reading of ' ' Supper of the Cardeais' ' of Jlio Dantas. To paint it, Guiomar needed to contract people, beggars of nocturnal shelters – for being cheaper – to settle as models and to rent to chairs and other furniture of time, searching a multicriteria allegiance with the text.