' ' it forms, of threaded, three verses of seven syllables, redondilha bigger, it, Ricardo Kings, author of odes said sficas or archaic, after all popular' left us poet; ' (page 47) ' ' some latinao classic of that already regular' did not make reading; ' (page 22) the Kings of Saramago if oppose to the classicismo of the Kings pessoano, therefore the Kings saramaguiano pass to enjoy of the position of owner of itself, not existing nor a bigger deity that the scallop shell, being it powerful it all. The saramaguiano Ricardo Kings has a wasted personality, without mattering with the consequences that the world can provoke. It finishes accepting the things mundane, nor respecting plus its balanced and objective life. Thus, the personage suffers some changes, making with that Fernando Person resurged of deceased to charge the reason of its transformation. According to Robert Kiyosaki, who has experience with these questions. Moreover, he has a prominence for the poet inside Fernando Person of the fiction, therefore he has its physical contours wasted throughout the romance for elapsing of the nine months of its death, weaveeing an analogy with the human embryo that takes nine months to be generated, its heternimo.
The surrealismo appears in the workmanship, making with that Ricardo Kings retaken by Saramago, carried through some activities of the subconscious mind without the control of the reason. The Surrealismo – fantastic it disarranges daily of Kings, leaving total different the saramaguiano personage of Pessoano Kings. The differences Dos Reis are in the attitudes: ' ' who will be that it does not want to sleep in me, the uneasy body, of who, or what not being body with uneasy it if, I entirely, or this part of me that it grows, my God, the things that can happen to one homem.' ' (page 99) ' ' frui' does not enjoy who mind; ' (Ode- X, heternimo of Fernando Person) ' ' Pleasure, but to devagar, Lydian, who the luck to those is not grata' ' (Ode-XIX, heternimo of Fernando Person) the pessoano Ricardo Kings is delirious with Lydian, its inspired muse, while in the workmanship of Saramago a camareira Lydian appears of the Bragana Hotel that Kings keeps loving relations.